Reviews
‘The Power of the Dog’ Review
Benedict Cumberbatch firmly grasps the reins of Campion's drama with a career-best performance blending menace with curiosity.
'Encanto' Review
The animation studio's latest big-hearted adventure is an affair rooted in home, and in feeling like an outsider in your own family.
‘Belfast’ Review
The filmmaker takes a breaks from blockbusters for a personal crowdpleaser that wavers between being melancholic and bareboned.
‘Mass’ Review
Four stellar performances anchor Fran Kranz's first behind-the-camera effort, burned by the embers of grief and the desperate search for closure.
‘Ailey’ Review
As much an inquiry into the legacy of Alvin Ailey as a celebration of his art, Neon's new documentary is often as mesmerizing and graceful as its subject.
‘The Green Knight’ Review
The director of "A Ghost Story" returns with another deliberately constructed meditation on what it takes to endure, starring a never-been-better Dev Patel.
‘Nine Days’ Review
Edson Oda's ambitious feature debut is stuffed with great performances and aesthetic choices, but the catharsis it seeks to provide is more tremor than shockwave.
‘Jungle Cruise’ Review
The deliriously derivative new based-on-a-Disneyland-ride blockbuster is mostly just a reminder of how inventive these big-screen adventures used to be.
‘Old’ Review
The twisty filmmaker rebounds from the mismanaged "Glass" to deliver a beachside allegory as funny and tense as it is poignant.
‘Settlers’ Review
Wyatt Rockefeller's meditative Mars-set drama works best when it keeps its scope small, its focus tight.
‘Roadrunner: A Film About Anthony Bourdain’ Review
Like its subject, Morgan Neville's new documentary reveals itself to be a bit of a contradiction.
‘Pig’ Review
Michael Sarnoski's feature debut is defiant in its moods and captivating in its sadness as Nicolas Cage delivers an exemplary performance.
‘The Tomorrow War’ Review
Chris Pratt is back in blockbuster mode, but this sci-fi spectacle proves he's ineffective as the virtuous everyman-turned-hero.
‘In the Heights’ Review
The high-energy adaptation of Lin-Manuel Miranda's Broadway hit finally arrives in cinemas, dazzlingly making good on a year's worth of anticipation.
‘All Light, Everywhere’ Review
Filmmaker Theo Anthony's work is an abstract, staggering and purposefully overwhelming journey into the tango between perspective and power.
‘Undine’ Review
The German filmmaker is back to his deeply melancholic ways, and while his new movie is a tougher paradox to crack, it's mighty rewarding.
‘There Is No Evil’ Review
Mohammed Rasoulof shot his latest project in secrecy, having been targeted by his home country in the past for the revealing stories he tells. It went on to win the Golden Bear in Berlin.
‘The Woman in the Window’ Review
Originally scheduled for pre-pandemic release, Joe Wright's movie writes itself into a suspenseless corner. It lands on Netflix Friday.
‘Undergods’ Review
Writer-director Chino Moya's feature debut has some visual flair, but it's in service of familiar ideas and a nonexistant story.
‘Wrath of Man’ Review
Jason Statham returns to a cold-blooded world of firefights and fistfights, but there's no tangible drama in this crime drama.